Aischune
SHAME - AISCHUNE - (ahee-skhoo-nay)
Aischune
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messgala:

Gucci Spring Summer 2015
messgala:

Gucci Spring Summer 2015
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syntheticque:

Calvin Klein S/S 2015
syntheticque:

Calvin Klein S/S 2015
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mulberry-cookies:

J.W Anderson Spring/Summer 2015
mulberry-cookies:

J.W Anderson Spring/Summer 2015
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jacquemus f/w 2014
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skt4ng:

j.w. anderson spring/summer 15 backstage | photograhy by piczo
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Raf Simons spring / summer 1997
By putting his suits on sapling-thin Belgian boys who were not agency models, Simons introduced the idea that a young man’s physical size was not at variance with his sense of isolation, a feeling that would have been ordinary to anyone who had grown up in Antwerp — or Rotterdam or Manchester — in isolated apartment towers built since the war, and who had spent a lot of time listening to bands like Joy Division and Kraftwerk, whose 22-minute song, ”Autobahn,” managed to convey the monotony of riding on the German superhighway. If Gucci’s caftans and Jean Paul Gaultier’s cowboy chaps didn’t represent the same emotional trip to this generation, Simons’s minimalist suits did. They became the dominant silhouette of the late 90’s. I once asked him what made him think of that shape. As usual, he had a straightforward explanation. ”It was just because we were so small,” he said.
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pradafied:

Backstage J.W. Anderson S/S ‘15, photographed by Kevin Tachman
pradafied:

Backstage J.W. Anderson S/S ‘15, photographed by Kevin Tachman
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botticelliangels:

ce-sac-contient:

Andrew Wyeth (1917-2009) - Above the Narrows, 1960
Tempera on panel (121.9 x 82 cm) 

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